Most of its present buildings date from this period, together with its troglodytic forts in the cliff-face (which can be visited) and vestiges of the former summer palaces of the Bishops of Sarlat. The Renaissance period saw the construction of some beautiful homes, such as the Manoir de Tarde, the manor-house of the Tarde family, which dominates the heart of the village to this day.
 
River traffic became increasingly important, with a very busy flow of cargo-carrying.
“gabares” (the Dordogne’s traditional flat-bottomed boats), as well as abundant commercial fishing, which continued right up to the beginning of the 20th century.
The village’s situation turns it virtually into a large natural solarium, and this has made possible the creation of extraordinary “exotic gardens”, alongside the church, halfway up the cliff, with luxuriant sub-tropical and Mediterranean plants.
You will find the warmest of welcomes from La Roque-Gageac and its inhabitants, known as the “Laroquois”, as well as wonderful gastronomic experiences in a region famed for its fine food.

The Lower Paleolithic Period

The oldest recognizable tools made by members of the family of man are simple stone choppers, such as those discovered at Olduvai Gorge in Tanzania. These tools may have been made over 1 million years ago by Australopithecus, ancestor of modern humans. Fractured stones called eoliths have been considered the earliest tools, but it is impossible to distinguish man-made from naturally produced modifications in such stones. Lower Paleolithic stone industries of the early species of humans called Homo erectus include the Choukoutienian of China and the Clactonian, Chellean-Abbevillian, Acheulian and Levalloisian represented at various sites in Europe, Africa, and Asia, from 100,000 to 500,000 years ago. Stone tools of this period are of the core type, made by chipping the stone to form a cutting edge, or of the flake type, fashioned from fragments struck off a stone. Hand axes were the typical tool of these early hunters and food-gatherers.

The Middle Paleolithic Period

The Middle Paleolithic period includes the Mousterian culture, often associated with Neanderthal man, an early form of humans, living between 100,000 and 40,000 years ago. Neanderthal remains are often found in caves with evidence of the use of fire. Neanderthals were hunters of prehistoric mammals, and their cultural remains, though unearthed chiefly in Europe, have been found also in N Africa, Palestine, and Siberia. Stone tools of this period are of the flake tradition, and bone implements, such as needles, indicate that crudely sewn furs and skins were used as body coverings. Since the dead were painted before burial, a kind of primitive religion may have been practiced.

The Upper Paleolithic Period

In the Upper Paleolithic period Neanderthal man disappears and is replaced by a variety of Homo sapiens such as Cro-Magnon man and Grimaldi man. This, the flowering of the Paleolithic period, saw an astonishing number of human cultures, such as the Aurignacian, Gravettian, Perigordian, Solutrean, and Magdalenian, rise and develop in the Old World. The beginnings of communal hunting and extensive fishing are found here, as is the first conclusive evidence of belief systems centering on magic and the supernatural. Pit houses, the first man-made shelters, were built, sewn clothing was worn, and sculpture and painting originated. Tools were of great variety, including flint and obsidian blades and projectile points. It is probable that the people of the Aurignacian culture migrated to Europe after developing their distinctive culture elsewhere, perhaps in Asia. Their stone tools are finely worked, and they made a typical figure eight-shaped blade. They also used bone, horn, and ivory and made necklaces and other personal ornaments. They carved the so-called Venus figures, ritual statuettes of bone, and made outline drawings on cave walls.

The hunters of the Solutrean phase of the Upper Paleolithic entered Europe from the east and ousted many of their Aurignacian predecessors. The Solutrean wrought extremely fine spearheads, shaped like a laurel leaf. The wild horse was their chief quarry. The Solutrean as well as remnants of the Aurignacian were replaced by the Magdalenian, the final, and perhaps most impressive, phase of the Paleolithic period. Here artifacts reflect a society made up of communities of fishermen and reindeer hunters. Surviving Magdalenian tools, which range from tiny microliths to implements of great length and fineness, indicate an advanced technique. Weapons were highly refined and varied, the atlatl first came into use, and along the southern edge of the ice sheet boats and harpoons were developed. However, the crowning achievement of the Magdalenian was its cave paintings, the culmination of Paleolithic art.

Built in an overhang shelter on the face of a striking cliff, the National Prehistoric Museum of Eyzies-de-Tayac is located in Dordogne, in southwestern France. The museum features unique archaeological collections chiefly discovered at the most prestigious excavation sites in the Vézère Valley, added to UNESCO’s World Heritage List owing to its many Palaeolithic remains. 300,000 visitors annually are expected at the new museum, located in the heart of the Périgord Noir area, land of French philosopher Montaigne – a region acclaimed for its history, beautiful landscapes of dark and mysterious forests, and world-renowned gastronomy.

Established since July 2004 in the new building designed by architect Jean-Pierre Buffi, the museum houses some 18,000 pieces and a collection of six million objects.“Although the new museum bears witness to the presence of men and women of the 21st century, its modernity manifests itself through its environment, marked by the sheer height of the cliff it is built on and the small size of the historical village of Eyzies-de-Tayac, with its 900 inhabitants and its medieval ruins”, remarks Jean-Pierre Buffi, architect of the Toulouse multimedia library and of the Façade of the Bercy Park in Paris.

The museum’s collections were established as early as 1913, when indefatigable researcher Denis Peyrony convinced the French state to acquire the Château des Eyzies, built at the end of the 16th century, and to transform it into an excavation warehouse that could double up as a museum. These collections have since been tremendously enriched through excavation discoveries at regional sites as well as private donations.

“The museum made a political choice by deciding not to portray the entire history of the Hominids’ development”, explains Jean-Jacques Cleyet-Merle, the museum’s director since 1988. “Instead, the museum describes the Palaeolithic era: the history of the Neanderthals, who vanished 50,000 years ago, and of the Cro-Magnon man, who lived in socially structured groups, buried his dead and made objects that had a symbolic meaning”.

Visitors enter the new museum as though embarking on a trip to the origins of humanity. At the museum’s entrance, the main chapters of the Hominids’ development are evoked through an anthropological frieze and a brief reminder of Africa’s history, starting with the early Australopithecines. Many themes are explored, including the legendary “Lucy”, the small 3.5-million-year-old woman discovered in Ethiopia in 1974. Next, the staircase leading to the permanent exhibit galleries plunges visitors into the mists of time, revealing seven sequences that cover the entire Palaeolithic era through an “idealstratigraphy”.

Upon leaving the“abysses of time”, visitors – equipped with the keys necessary for interpreting the rest of the exhibit – slide into the lower gallery and discover, along a passageway, the various material cultures that succeeded one another from 400,000 to 10,000 BC. This same itinerary also retraces the development of these different cultures: early tools, furniture, and other artefacts. Many themes are presented, such as the lifestyle of Neanderthal populations and the appearance of modern man.

In the upper gallery, visitors are invited to follow an initiatory path from the outside world of mankind’s ancestors to the semi-darkness of the painted caves. Museum-goers can also admire the replicas of prehistoric hearths, of the homes built under shelters and of the places of origin of the objects on display in the rest of the gallery. The reconstructed grave of “L’enfant de la Madeleine” is of particular interest in this section.

Each object – statuettes, jewels, harpoons, lamps, scrapers of all sorts, to name but some of the pieces – has been selected with great care, based on its representativeness and its state of conservation.

Organised by Jean-Jacques Cleyet-Merle, in close partnership with the Scientific Council chaired by Jean-Philippe Rigaud, honorary director of the Institute for Prehistory and Quaternary Geology of Bordeaux, the new National Prehistoric Museum’s scientific programme has been influenced by the establishment’s location at the heart of the prestigious sites and deposits from which its acquired its exceptional collections. In addition to the famous Lascaux Cave and its colourful cave paintings, many listed sites hark back to 400,000 years of human history, from the Font-de-Gaume cave to the Combarelles and Rouffignac caves, as well as the Poisson, Moustier and Micoque shelters.

Artists at the time had a very basic colour palette, consisting of black, ochre and red, which they skilfully used to make colour gradations, creating astoundingly lifelike animal scenes. In the new museum, “the ochre tones, such as the grey of the cast-aluminium roofs, mirror the cliff’s timeless colours”, points out Jean-Pierre Buffi.

In addition to presenting its collections to the general public, conserving humankind’s heritage and supporting archaeological digs, the National Prehistoric Museum also hosts archaeologists, researchers and students from the world over, and collaborates with various foreign institutions.

The abundance of masterpieces, shelters and grottos that dot the entire Vézère Valley, framed by dark and mysterious forests, vineyards and rivers, should not cause visitors to forget that Périgord is also the land of foie gras, duck confit, walnuts, cep mushrooms and the distinct-smelling truffles. Just 20 km away from Eyzies-de-Tayac, Sarlat – a town full of art and history, whose old streets shelter the former home of humanist writer La Boétie – is well worth a visit. One of the favourite visiting places of film directors, this prestigious site regularly hosts special events such as film festivals, theatre games, village celebrations, and much more.

Nestled in the heart of Périgord Noir, Les Eyzies-de-Tayac is sure to captivate you. The entire region, including its soil, beats with the soul of humanity.

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1000’s of years ago, there was a very high abundance of wild horses in this region, this can be seen in so many cave paintings found in the region. “Man” has always had a good friendship with horses, and that is still the case today.
For hundreds, if not thousands of years, our ancestors would travel to far away places to trade goods, for hundreds of years, and many generations, would follow the same tracks and trails to get to these often remote places. Along the way they would rest at places that have now become villages, hamlets and even towns. These tracks and trails quickly disappeared with the invention of the train and later the automobile.. lost and forgotten forever..
Well almost, we take you on a trip of a lifetime following these long forgotten trails.. Get on a horse and let us retrace the routes our ancestors took hundreds of years ago.

Ferme de Fonluc is without doubt the place to be, for everyone interested in seeing the Dordogne and Vezere Valley on horse back. Situated in Les Eyzies de Tayac, in the hart of the Vezere Valley, and just 150m from the Vezere river and the famous clifs of Les Eyzies that is home to many prehistoric dwellings and the famous “Grand Roc”

Ferme de Fonluc have a range of unforgettable horse trips and over night tours, suitable for all ages.

For more information please visit their website : www.fonluc.com